Venice: Pure City

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I would like to thank my two research assistants, Thomas Wright and Murrough O’Brien, for their invaluable work on this project. I would also like to extend my thanks to my editor, Jenny Uglow, and my copy-editor, Jenny Overton.

i1.1 Cristoforo Sabbadino, Map of Venice, c.1557. Archivio di stato, Venice/Cameraphoto Arte Venezia/Bridgeman

i1.2 Perspective plan of Venice (detail). Musée du Louvre, Paris/Cameraphoto/Bridgeman

i1.3 The mosaics in Saint Mark’s cathedral, late 14c. Alinari/Rex Features

i1.4 The Madonna, cathedral of Santa Maria Assunta, Torcello, early 13c. akg-images/Cameraphoto

i1.5 The Flood, mosaic in the narthex, western portico, of Saint Mark’s cathedral, 13c. akg-images/Erich Lessing

i1.6 Tintoretto (Jacopo Robusti), The Stealing of the Body of Saint Mark, 1562–66. Galleria dell’Accademia/Cameraphoto/Bridgeman

i1.7 The Lion of Saint Mark, 15c., Museo Correr/Bridgeman

i1.8 Monks praying to Saint Theodore, from a Mariegola, 1350. Museo Correr/Bridgeman

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