Lyrebird

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He moves away from the others, their constant chat blending into a tedious monotonous sound in his head. He’s not sure if it’s the jet lag or if he’s simply not interested in what’s going on. It could be both. He feels elsewhere, detached. And if he yawns one more time, she’ll have no hesitation in calling him out on it.

They don’t notice him break away from them, or if they do, they don’t comment. He carries his sound equipment with him; he’d never leave it behind – not just because of its value, but because it’s a part of him by now, like another limb. It’s heavy but he’s used to the weight, oddly is comforted by it. He feels a part of him is missing without it, and walks like he’s carrying the audio bag even when he isn’t, his right shoulder dropped to one side. It might mean he’s found his calling as a sound recordist, but his subconscious connection to it does nothing good for his posture.

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